Course Information
SemesterCourse Unit CodeCourse Unit TitleT+P+LCreditNumber of ECTS Credits
1RTS 529Dünya Sinema Tarihi3+0+038

Course Details
Language of Instruction Turkish
Level of Course Unit Master's Degree
Department / Program MA Program in Radio, Television and Cinema (Thesis) (Turkish)
Type of Program Formal Education
Type of Course Unit Elective
Course Delivery Method Face To Face
Objectives of the Course Analysing the history of world cinema on the axis of the major narrative traditions in the film art Ders and through the examples of different national cinemas.
Course Content This course concentrates on the most significant movements and styles in the history of world cinema, including but not limited to Primitive Cinema, Early Cinema, Classical Hollywood Cinema, German Expressionism, Soviet Montage, French Poetic Realism, and Italian Neorealism. The course also explores how the evolution of political, social, and cultural discourses has impacted film production practices. Students will engage in critical analysis and academic research of selected films and/or national cinema.
Course Methods and Techniques Ders anlatımı, tartışma, film gösterimi, film analizi
Prerequisites and co-requisities None
Course Coordinator None
Name of Lecturers Asist Prof.Dr. Hasan Ramazan Yılmaz ramazan.yilmaz@ihu.edu.tr
Assistants None
Work Placement(s) No

Recommended or Required Reading
Resources [No Film School]. (2017, March 31). How Soviet Cinema Gave the Movie Camera its Eyes [Video]. Youtube. https://www.youtube.com/watch?v=Py4IE-yFHgo
[Han Williams]. (2020, May 27). The Story of Hollywood [Video]. Youtube. https://www.youtube.com/watch?v=FoBwCcpOT48
[The Discarded Image]. (2017, August 4). Robert Bresson - Less is More [Video]. Youtube. https://www.youtube.com/watch?v=SgI_4AxeRF8 5. [No Film School]. (2016, August 12). Video Essay: German
Geoffrey N.,S. (1999). The Oxford History of World Cinema, 17th Edition, Oxford University Press.
Thompson, K. (2003). The Classical Hollywood Cinema Film Style and Mode of Production to 1960. Routledge.

Course Category
Social Sciences %100

Planned Learning Activities and Teaching Methods
Activities are given in detail in the section of "Assessment Methods and Criteria" and "Workload Calculation"

Assessment Methods and Criteria
In-Term Studies Quantity Percentage
Attendance 1 % 10
Practice 1 % 40
Project 1 % 50
Total
3
% 100

 
ECTS Allocated Based on Student Workload
Activities Quantity Duration Total Work Load
Course Duration 14 3 42
Hours for off-the-c.r.stud 9 3 27
Assignments 2 15 30
Presentation 2 15 30
Practice 3 15 45
Project 1 30 30
Total Work Load   Number of ECTS Credits 8 204

Course Learning Outcomes: Upon the successful completion of this course, students will be able to:
NoLearning Outcomes
1 To comprehend the main technical, aesthetic and industrial developments of cinema since its emergence
2 To delve deeper into several influential aesthetic and stylistic developments that have left a significant impact on the film industry
3 To establish a comprehensive understanding of film as an art form that encompasses both narrative and non-narrative elements, and as an industrial, theatrical, and non-theatrical medium
4 To provide an insight into the national, international, and global aspects of film as a medium.
5 To explore the interaction between film and media with its historical and cultural contexts, providing a valuable understanding of the film medium.


Weekly Detailed Course Contents
WeekTopicsStudy MaterialsMaterials
1 Introduction to the film art
2 Early Years of Cinema Pearson, R. (2008). Sinemanın İlk Dönemi. İçinde: Dünya Sinema Tarihi. Kabalcı Yayınları. 30-41
3 Hollywood studio system and Classical Hollywood Cinema Vertigo (1958), Alfred Hitchcock Gomery, D. (2008). Hollywood studio systemi. İçinde: Dünya Sinema Tarihi. Kabalcı Yayınları. 64-74
4 German Expressionism Das Cabinet des Dr. Caligari (1920), Robert Wiene Elsaesser, T. (2008). Almanya: Weimar Yılları. İçinde: Dünya Sinema Tarihi. Kabalcı Yayınları. 169-185
5 Soviet Montage Cinema October (Ten Days that Shook the World) (1928), Grigori Aleksandrov & Sergei Eisenstein Nussinova, N. (2008). Sovyetler Birliği ve Rus Göçmenler. İçinde: Dünya Sinema Tarihi. Kabalcı Yayınları. 197-210
6 Hollywood's Invasion of European Cinemas and Reactions --Project Proposal (%40) Orta, N. (2014). Hollywood Sinemasına Karşı Avrupa Film Politikaları ve Gelişen Korumacı Tedbirler. Marmara İletişim Dergisi, 13(13), 161-169.
7 Modern Narrative Structure The Trial of Joan of Arc (1962), Robert Bresson Yilmaz, H.R. (2021). Sinemada Modern Anlatı. İçinde: Semih Kaplanoğlu Sinemasında Sinematografi. 109-120. Yayımlanmamış Doktora Tezi. İstanbul Üniversitesi.
8 Italian Neorealism Ladri di biciclette (1948), Vittorio De Sica Morandini, M. (2008). Faşizmden Yeni-Gerçekçiliğe italya. İçinde: Dünya Sinema Tarihi. Kabalcı Yayınları. 406-414
9 French New Wave Breathless (1960), Jean-Luc Godard Graham, P. (2008). Fransız Sinemanın Yeni Yönelimler. İçinde: Dünya Sinema Tarihi. Kabalcı Yayınları. 651-662
10 Formation of Classical Narrative in Turkish Cinema Vurun Kahpeye (1949), Ömer Lütfi Akad Kanun Namına (1952), Ömer Lütfi Akad Kaplan, Y. (2008). Türk Sineması. İçinde: Dünya Sinema Tarihi. Kabalcı Yayınları. 740-745
11 Japan Cinema Tokyo Story (1953), Yasujiro Ozu Ikiru (1952), Akira Kurosawa Komatsu, H. (2008). Japonya'da Klasik Sinema. İçinde: Dünya Sinema Tarihi. Kabalcı Yayınları. 472-480
12 Iranian New Wave Gav (1969), Dariush Mehrjui Nafisi, H. (2008). İran Sineması. İçinde: Dünya Sinema Tarihi. Kabalcı Yayınları. 766-772
13 Presentations
14 Presentations --Project Submission (%50)


Contribution of Learning Outcomes to Programme Outcomes
P1 P2 P3 P4 P5 P6 P7 P8
All 4 3 3 4 4 4 4 5
C1
C2
C3
C4
C5

Contribution: 1: Very Slight 2:Slight 3:Moderate 4:Significant 5:Very Significant


https://obs.ihu.edu.tr/oibs/bologna/progCourseDetails.aspx?curCourse=241294&lang=en